Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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Follower of Jacopo da Ponte
Christ in the house of Martha and Mary

ID: 81851

Follower of Jacopo da Ponte Christ in the house of Martha and Mary
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Follower of Jacopo da Ponte Christ in the house of Martha and Mary


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Follower of Jacopo da Ponte

painted Christ in the house of Martha and Mary in 16th/17th century   Related Paintings of Follower of Jacopo da Ponte :. | The Adoration of the Magi | The Good Samaritan | Two Hounds | The Adoration of the Magi | The Road to Calvary |
Related Artists:
Bernaert de Ryckere
Bernaert de Rijckere (c1535, Kortrijk - 1590, Antwerp), was a Flemish Renaissance painter. According to Karel van Mander he was born in Kortrijk and was admired there for an altarpiece depicting Christ bearing the cross, which he made for the St. Marten's church of the brothers of the Cross there. He later took on a different style that Karel van Mander had heard of but had not seen to be able to judge it for himself. He said he moved to Antwerp and joined the Guild of St. Luke there in 1561. According to the Netherlands Institute for Art History he was the teacher of his son, the painter Abraham de Rijcke, and is known for landscapes and historical allegories.
Raffaello
Italian painter , 1483-1520 was an Italian painter and architect of the High Renaissance, celebrated for the perfection and grace of his paintings and drawings. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop, and, despite his early death at thirty-seven, a large body of his work remains, especially in the Vatican, whose frescoed Raphael Rooms were the central, and the largest, work of his career, although unfinished at his death. After his early years in Rome, much of his work was designed by him and executed largely by the workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models.
Heinrich Foelix
painted Kurfurst Clemens Wenzeslaus von Sachsen in ca. 1776






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